wait really?? ok!! I thought I would actually build a typography editor around it, maybe if you click a cell it would rotate symbols and/or orientations. Open source of course!
This is what I'll do instead of spending time with family over thanksgiving :P
Ouch, that was certainly not my intention. I didn't expect this to be shared around, and hadn't considered the best way to make it available. It's open, and I've shared it for free with every single person who has emailed me. I feel like this slower form of distribution is closer to the original intent of the font as I've been able to connect and chat with lots of incredible SF locals and Muni fans in the process. :)
I made Fran Sans for fun in my own spare time which was a lot of work. I do want to add that all fonts are inspired by work that came before it... yet at some point, the font becomes your own. Yes, Fran Sans is based on the Trans-Lite signage, however when I digitised it, I had to make a number of my own personal design decisions along the way which makes this work my own. Particularly the addition of different styles and characters that were never made for the original signage.
I hoped my intent came through in my commitment to researching and sharing this piece of local history that would have otherwise been lost as there was nothing to be found online when I started this journey.
Hope this clears up my intention, I'd love to send you a copy if you're interested, and I'm open to hearing your distribution ideas.
I agree with the hamburglar (lol) you did awesome work and you owe the internet nothing. the 3d printing community is rife with "stl please" expectations that everyone wants to share everything and it should all be free. Give it away if you can, but I think its important to have some value to the creative work like this that is done.
> I've shared it for free with every single person who has emailed me.
Excited and waiting :) I think it's going to make really cool pen plotter art
You just gotta get used to a knee jerk “you’re open sourcing wrong” reaction you’re gonna get from a community of people who are accustomed to it all being done in a certain way (namely, that it’s generally open and copyable without interaction with -gasp- humans). You’re doing fine and your responses have been perfect imo.
They certainly did. The SFMTA also showed these to me and explained that not only were they extremely temperamental, but it also cost about $3k to print one of the curtains with the special barcode that prompts the curtains to rotate.
Hi, I'm Emily the designer of Fran Sans. One of the Breda cars is going to the California State Railroad Museum, and it has the displays in it. I also suggested to the Letterform Archive in SF that they may have interest in it. I do know they've archived some of the NY subway curtain displays, so I think it's only fair they save one of these in their collections too.
That's one, but what about all the rest? If someone at the service garage has any sense, they'll make sure the displays end up on eBay, not a crusher. I can see a bunch of nerds turning them into all sorts of wonderful things.
Yep, not sure, but I agree. I didn't get to speak to the people in charge of these decisions, but would also love to know where they're going. I wouldn't be surprised if they do end up on ebay.
Haha, hi, it's me, Emily, the designer of this font. It actually didn't come first! And strangely finding an available name was almost the hardest part.
Honestly, I wasn't expecting this font to go anywhere, and then the SF Chronicle reached out, which has been lovely. Anyone who emails me can have a copy, I just haven't made an easy download link. I've thought about it since, but actually it's way nicer to hear from people and hear about what they're making. It is a community-driven project, and this slower form of distribution feels closer to my original intent. :)
I'm glad that's working out! (I'm more of a collector/hoarder of monospace fonts, so I'm not really your intended audience, and I'm entirely fine with that.)
Hey, I made this font. I really ummed and ahhed over the name for this exact same reason. But in the end it was just too clever to pass up. Thanks for moving past it, haha.
I also approve of the cleverness. Correct choice not to pass it up.
I also have a soft spot for typography weenies, and appreciation for well thought out typography in an age when it seems like it’s becoming rarer and rarer. Great to see this on HN.
what you chose was 100% wayy too good to pass up, that wouldve been the first thing pun-lovers pointed out if you chose anything else. because ITS RIGHT THERE
