How are they going to verify it's not some kid telling he's 18 with a fake picture? Demand a photo of driver's license? Got one here, right out borrowed from dad's pocket. The article also mentions inferring age from the usage which sounds as vague as it is.
The counter point is that doesn't this basically mean everyone, including adults, now has to identify in order to use social media? Without a national electronic ID where personal data never leaves government's systems (they've already got it) and the social network just receives a yes/no bit when they ask "is this person old enough?" this would mean a huge amounts of identification data would be willingly and voluntarily "leaked" to foreign private services. Scan your passport and send it to China in order to use TikTok?
This mass identification process could either make also large groups of adult people leave social media sites or condition people to upload their ID data to whatever site happens to ask for it.
I am not protecting non-FOSS practices but you can not register on crypto cx by just showing some papers with not showing your fare. That answers the fake picture case.
You could draw long/short straws to generate bits but since the challenge limited the tools to mortal bodies any other guessing game would do.
One could put his hands behind his back with one hand palm open and the other hand in a fist. The other one then guesses which hand is open and him being right or wrong generates either a 1 or 0. Repeat N times for an N-bit binary number. Both players can influence their choice equally and also equally make assumptions about the other player's intentions when making their own choice.
This is absolutely not limited to EVs, the same enshittification is in a lot of ICEs and hybrids as well. Today's cars won't be driving in 2040 when a student could buy it for a grand wit 300 000 miles on the clock, and keep fixing it himself in order to save money.b
Owning a car (or device) you have "purchased" is getting more and more difficult to achieve. So is owning of anything at all that can or is allowed to connect online. You basically pay for it in order to rent it because you no longer control its lifetime.
As others have noted copyright duration is ridiculous. But more importantly it lacks severe counter-forces to balance out the explicit monopoly.
Since the point of copyright is to offer an incentive (to profit) from works it should be tightly tied to the market value of said works and the willingness of its owner to present them for sale.
If nobody keeps selling X there's no reason to let X enjoy the protection of copyright.
If X is kept for sale for the sake of keeping copyright alive but it's not really selling much that should also affect the nature of the copyright. For example, a minimum fee you have to pay annually to keep copyright going would cull out the works that are no longer commercially viable.
The fee could be proportional to the overall sales of the works so that if your works were a huge hit in the 80's but sales have trickled down to a minimum you'd have to pay more (from the profits you've obviously received over time) to keep it copyrighted (which would force you to balance your copyrights to your net income from current sales), but if you published an obscure album decades ago that never got much traction your fees would be negligible (but you'd still have a minimum fee you'd have to pay regardless) so you would be incentivized to give up the "protection" and make it cheaper for everyone to let it fall in public domain.
Further, the various aspects of copyright could be torn down in different timeframes. Let's say you wrote a successful book in 1963 which made money but no longer sells much. You probably wouldn't mind letting the copies of the book fall in public domain but if you could keep the option to hold onto copyright for derivative works in case someone wants to make a film out of the book you could do that (again, with annual fees, but these could be lower if the original book could be freely copied).
Or some other scheme. I could soon think of dozens if I wanted to but you get the idea. How about a tax on the sales of copyrighted works that starts from 0% but increases by some percentage point each year. You can profit first but as years go by you will have to start paying more and more to keep it going as the overall balance approaches unprofitability.
Copyright doesn't have to be a complete monopoly, it could have shades of gray. Sure there are exemptions already (such as fair use, in some countries, or right to make backups under certain conditions) but none of them address the commercial stronghold copyright allows for companies to keep works of art hostage for decades and eventually, for centuries.
> Since the point of copyright is to offer an incentive (to profit) from works it should be tightly tied to the market value of said works and the willingness of its owner to present them for sale.
> If nobody keeps selling X there's no reason to let X enjoy the protection of copyright.
Suppose Lucy paints original portraits of Barbra Streisand and sells them on eBay. She makes no copies of them; there are no copies of them for her to sell.
And Lucy is just a painter. She's not a printer. She's not a publisher. Again: Lucy only paints portraits of Barbra Streisand and sells them on eBay. That's all that she does.
But because Lucy isn't selling copies, then the portraits become public domain and anyone is free to copy them.
Why would that ever be a thing that encourages Lucy to paint more portraits of Barbra Streisand?
At the very least a system like this might force publishers to not drop ebooks from their stores just because.
But others would point out that being able to not distribute a work is part of having the copyright. If a corporation doesn't want to sell old works because they want to encourage people to only buy new works then that's their right. The government saying that it's fair game simply because there's no legal option to purchase it is an infringement on their right to withhold the work from the public. They could even have a policy of destroying all copies of the work once it goes off sale to make sure it never enters the public domain, that's also within their rights.
YouTube has the best content that you absolutely can't and won't find in commercial productions, and exactly because they aren't producing anything, they're just a platform. I think the sub-$10 premium without music was in the right price range but even at $20+ it proposes much, much more value than your random streaming service.
However, what they're not clear about is how the Premium fees actually land on the YT channels which is an irksome point. Premium views generate more income than unpaid views, that much I know. But I don't know if my subscription fees will benefit only the channels I watch or whether I my subscription is helping the big, popular shows that I never watch.
I don't understand the youtube love i see all over this site. It's constantly something i see that people are okay with.. but i see so many things i dislike within it.
It has a social media style layer on top of it to entice people to keep watching, as well as creators to keep creating horrifyingly misleading titles/thumbnails, it captured a massive user base without utilizing ads and then removed the training wheels and went full steam ahead on ads and added a paid model.
they added shorts which is all the things i mentioned on steroids, and its owned by google.
I'm a strong advocate for turning youtube into just a search bar, with some subscriptions on the side for creators you actually care for. Imo, if something gets through all the noise and finds its way to me, its maybe worth watching, if its their social media style layer suggesting it to me? its a low % chance its worth watching a minute of.
> youtube into just a search bar, with some subscriptions on the side for creators you actually care for
That's exactly the only way to use Youtube: start with the subscriptions page where you see new videos from channels you follow in reverse chronological order, then open up the videos into tabs, go fullscreen and play. The platform indeed is rather horrible and tries to be a video hosting plus a kitchen sink but you don't have to engage with it (even if they try to get you in to that). Sadly, the experience sucks for youtubers as well, accounts shut down for no good reason, copyright harassment, demonetization, videos removed, etc. with nothing much they can do about it. I would pay for Youtube if it was a video hosting service straight and honest, connecting creators and viewers, and not an opinionated platform moderated into nannies.
The problem with Youtube is that it has good content despite everything else so they can force this crap on us. If there ever was a friendlier implementation people would jump to it but network effects give Youtube its power. As long as you can't follow your subscriptions outside Youtube it's hard for competition to come out of nowhere. Much like there's no aggregation of social networks where you could follow people on various services without having to be on every single one even if you like Facebook and your kids like Instagram.
I last watched tv at my parents house in the last millennium. Never had a tv because there was nothing interesting to watch. Then Youtube came and all the niche people filming their stuff on all the niche channels. Stuff that would never ever be in any commercial, mainstream network because they would have to try to appease the largest possible audience. Coincidentally, all the Youtube channels that grow too big and make the channel a "production" rather than a "guy with a camera" unequivocally become bland and boring, averaged, dull, and all the nice rough edges nannified away just like networked stuff from big production companies.
>It's constantly something i see that people are okay with.. but i see so many things i dislike within it.
Yes, welcome to a true blue monopoly.
I can list issues for days, but at the end of the day a lot of beloved creators in pretty much all sectors can make a living off of Youtube and not much elsewhere. Maybe some can jump to Nebula, but not all have content that fit that service. It's those creators I love, not Google.
I'd love nothing more than a proper competitor to rise up, or for courts to finally do their job and slice Youtube out of the Google ecosystem. But I'll be waiting a while for either. I've de-googled in pretty much every other aspect except Gmail and Youtube, and I simply don't see any other way out for now.
As any other subscription, it depends on your habits. I can pretty much subsist on entertainment, educational, political, podcast, and simply fluff content on Youtube without any other streaming service (because damn, what's the last TV show I really was excited to watch? the new King of the Hill Season a year ago?). $15 for that is fine, for now. But I'm eagerly keeping an eye out on another ship to jump to.
I tried it because I was less and less happy with Google and the various free alternatives never quite hit it. With them, I'd have to go back to Google every now and then to get better results. I thought I'll try Kagi for a month or two and see.
With Kagi, I think I've gone back to Google a couple of times in the early period. Then not once, since last winter. On browsers where I'm not logged onto Kagi I've gone from Google to my primary browser with Kagi multiple times. I can't really tell if Kagi is good or bad, objectively, but in relative terms it's very good. Most importantly, it's quite invisible, doesn't have irritating things to fight with, and the first two pagefuls aren't sponsored ads. It's tool-like and it certainly gives the feel of 2000's Google Search.
I don't know if I'm a fan but I still also have no reason to stop using Kagi. I like the simple concept. And I think paying for search is a good proposition because it turns the odds to my favour: the company can succeed by making me happy instead of using me to make advertisers happy.
As someone who got onto the web in HTML 2.0 era I can feel the appeal of Gemini, although I disagree about their attitude towards static inline images. In day-to-day world that's what separated HTML from the earlier text-based hypertext systems that you could run over a terminal connection (or in a window, like AmigaGuide). You could actually have real documents from the internet, on your own screen, without loading up a word processor. White pages, black text in different sizes, blue links, and color images! Cool!
Obviously, Gemini is a niche that's as futile as it can be. It's like going back to living without a running water because once there was a peaceful village, then first came running water, then electricity, and then the whole village was rebuilt into a big city, and the old village is now gone. But the logic goes: if they didn't get running water in the first place, the people who wanted electricity too wouldn't have moved in, and the city wouldn't have been built. So, reverting back to living without running water now will, if it doesn't maybe demolish the city, at least remind me of the good old days.
The problem with the current web is that before, maybe just 10 years ago, you could use a good browser to remove and disable all the user-hostile cruft aimed at you on websites, and maybe browse pages in relative peace. Now the fight has moved to removing and disabling all the user-hostile cruft aimed at you in the browser, that intend to remove the tools you could use to fight the websites, and given the de-facto monopoly of Google that's just incredibly sad.
What's more demoralising is that it's just one slice in the big trend to erode the concept of ownership alltogether. It's a matter of time until you can no longer even try to own your browsing experience. The web will have changed from a place where people could freely download and view other people's documents over HTTP to people using one-way thin-clients with attestation so that the producer can guarantee their website is interpreted correctly as intended. Good luck writing your own browser that does the right thing for you, it won't be served data off the web unless it can prove the client is unmodified and signed by Microsoft. That is, of course, assuming you could still write code yourself for your computer and actually run it on your own without asking permission from the vendor.
It seems that the 20's answer to what Gemini represents is probably something like asking an AI to load a web page, extract the real contents of the document, possibly with cues from accessibility hints, and reproduce the document as text and still images for viewing.
On the other hand, how the heck are they claiming to own any of that if they can't even produce the paperwork. A big enough developer would be able to remaster the game just enough to provoke a lawsuit from the "rights holders" and that would be the place to cross-check whether there's any meat in the deal. If they can't prove they actually own the rights, they can't sue. If they can, then they can sell/license it to the developer. Obviously this won't work for a small, independent actor because it's all going drown in the noise of legal billing.
I've always maintained that if we must have copyright then it should be something like a trademark where you have to actively defend it to keep it valid. If you have the "rights" to a piece of music, movie or game then, to validate the copyright's original purpose, you will have to actively exercise those rights to make gains from the "intellectual property". Copyright does not promote innovation if you're not required to gain from your creation: if you're just keeping your work in a drawer there's no point in granting you a temporary monopoly over the right to copy the work.
> It feels like we are in a weaker position then ever: militaristically,
> economically, scientifically, and so on. Meanwhile the threats of China
> and Russia and what could happen in the next few years are quite concerning.
On the other hand, it's not only USA really.
Russia with their czarist structure of power and control hasn't really had an economy that's more sustainable than USSR ever pretended to have, and their government keeps digging the country further in the grave as we speak. Russia can be a nuisance to its neighbours by their size alone but as their failing offensive in Ukraine shows they don't really give much to worry about in their peer countries of similar size and position.
Europe is running around like a group of headless chicken pecking eachother with minimal ability to make decisions cohesively and in unison, and many larger European countries are trampling knee deep in the mud when you compare to their heydays.
China is indebted, lacking energy, yet wants to expand their projection of military power but having enough to do with their current neighbours and desperately needing to maintain trade relations around the world means that, at best, the ruling party can only think about it. Unlike some other peer nation states I think they just might ultimately be wise enough to understand their position themselves, too, despite the desire to posture hard.
Further, I can name many countries that are, in relative terms, doing similarly stupid things now that they didn't do before and few that have actually managed to preserve some common sense but they're either small enough to not matter a squat on the global stage or they aren't interested in global power in the first place.
Not that USA isn't actively destroying the very relations that did help them extend their power across the globe cheaply through allies, working to weaken the dollar, and in internal affairs shooting themselves in the foot at a rate that could make even Russia jealous, but USA is still pretty good in comparison to their competition. There's no serious contender for USA at the moment and won't be any time soon even if USA keeps hitting even lower and lower bars of statehood.
I'm more pessimistic than optimistic about the future but the reason is that it seems the world as a whole has enshittified themselves down to a level that would have seemed even theoretically impossible by the key players only a few decades ago.
In my eyes China seems to have a very strong position. They have invested so heavily in optimizing their industries, regulations, etc. that they really seem to operate many orders of magnitude more efficiently than anyone else.
They also have a great advantage in their communistic structure. If they decide on a big project, pivot, allocation of resources for long-term strategy, they just do it. You don't have to convince citizens or states. They just do it if it makes strategic sense.
Those benefits often seem to outweigh the issues of citizen happiness, cohesion, government support. China has gotten incredibly good at controlling their citizens such that dissent seems like a pretty small issue for them to deal with.
As I understand, China is facing some difficulty scaling up food production for strong food security. I'm not familiar with their issues regarding power generation, but I'm curious to know more. While I'm not surprised they are indebted, like almost every other country in the world, I don't see that stopping them from ignoring the rest of the world when they don't think anyone else can stop them. Whenever tensions reach a breaking point.
On top of all that, China seems to have a lot of good talent, particular in the technology sector. We are at the precipice of an AI and drone-enabled world war, and if a country were to make vast strides in that technology to get ahead of peers, the power differential could be quite scary. And if any country has the industry and resources to produce tons of such weapons at scale, I'd expect it to be China, maybe with some help from their allies.
China has been a rising star for a long time, albeit not without its share of problems obviously. I heartily agree there's a lot of momentum in China to the direction of things getting better whereas traditional western countries lack much of that, and might even ride a momentum for the worse. And China's centrally-led government can be very effective and more sophisticated, in a way most other dictatorships simply aren't. But China is still too weak to make moves. Their domestic policy and handling of their internal affairs eats up their resources of force, and they also have a long border full of territorial skirmishes they can't just ignore while acting out militarily. It's hard to see China being able to make a move that would be a threat to West and that wouldn't cost way too much. China can certainly posture threats left and right, but I think they understand they don't necessarily need to consider carrying out those threats for real. They also know the art of patience, and together with that and some effective propaganda they can just sit, wait, and slowly move the piece towards their favour, and there's some calm wisdom in that that I greatly appreciate. The constant talks and news we see about a threat posed by China is likely a significant part of just that.
The counter point is that doesn't this basically mean everyone, including adults, now has to identify in order to use social media? Without a national electronic ID where personal data never leaves government's systems (they've already got it) and the social network just receives a yes/no bit when they ask "is this person old enough?" this would mean a huge amounts of identification data would be willingly and voluntarily "leaked" to foreign private services. Scan your passport and send it to China in order to use TikTok?
This mass identification process could either make also large groups of adult people leave social media sites or condition people to upload their ID data to whatever site happens to ask for it.
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