I do. It's increasingly common to have a rolling NAS on film sets and being able to hook up the camera and storage with an ethernet cable is a no brainer for many productions. Time is money and video workflows have historically been a logistical nightmare. Generally when you're shooting narrative on a pro camera you have to stop every 20-30 minutes to swap media. I would much rather string a cable and have one less technical person and two more people in the art department for the same money. Media management is a huge bottleneck, not to mention a source of continuous low-grade anxiety.